Museum walls are now outside in the city, where they are appropriated by neighbourhoods and brought back into the museum on a discussion and reflection about borders between the city and the museum.

Receiving inside of itself, in real time, the neighbourhood's sensitivities, claims and preoccupations, the museum is invited to step out of the overwhelming aesthetico-conceptual stance and into the actio-reflective space of the Agora. Confronted with the real outside its walls, the whole boundary structure is restructured and the contemplative turned action.