The work of art is no longer trapped in its single contemplation use, rather it gets empowered through the redistribution of its potential. The power of the work of art shifts from the institution's authority to the catalyst performance by intervening citizens. At the same time the work of art - distributed through the city - obliges citizens onto a thoughtful interaction, transforms their routes and their perception of each other.

The whole city can be the museum but the lines that entangle the relationship between the different intervening subjects needs to be continuously asserted, to assure the consisted weaving of the (social) fabric.

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